So I hope you find it helpful.
And Other Adventures in Listening.
Metcalf Award, a Guggenheim fellowship, and numerous other awards. Hotels of North America, out this month from Little, Brown, embodies and interrogates a particularly American version of modernity. In addition to his new novel, Moody and I recently discussed literary theory, technology, and the writing process.
Our conversation took place over email -- sent and received, for the most part, late at night via smartphone. Does Derrida remain an influence?
How would you say literary theory has informed your concerns as a writer? Theory was and is still important to me. I still really admire Derrida and feel that my contact with his early work in English -- Of Grammatology above all others, but not to the exclusion of DisseminationGlasetc. I also really loved Foucault and Barthes.
Do I keep up with theoretical developments now? The world of theory, that is, is not as it once was. What I loved above all was the language, the hair-splitting, the monstrous clauses, the paradoxes, the neologisms. It felt playful to me, like experimental fiction, which also exerted a powerful pull in those days.
I still want my work to be new in that way, today, if possible. I abhor repeating myself. And I still often think about philosophy. I am no expert, but the philosophical bedrock of theory is something I still am grappling with. I guess my question for you is: This is a difficult question to answer.
This Rick Moody, at least for today, feels that skepticism is a remainder of continental philosophy, a rime thereof, but not an adequate or complete trace product. In Derrida, the style is the way out; the writing is the third term in the opposition between theory and practice.
The work produced is the solution to the problems laid bare in the work. I still believe in this, or it believes in me. The work believes in me. Only the process matters. Do you consider the reader at all, or does the work enjoy a kind of autonomy?
I never think about audience. But as DeLillo says, I write with standards in mind. I write for the audience that shares the standards, whoever they are. Does this differ from the unit of composition in the stories? The particular formal method of composition has changed with each book, as each suggests its own thematically-based approach.
I will say that having a child has gotten in the way of work a bit -- in that I rarely have a long span of consecutive work days now. The narrative arc of this book was retrofitted at a later point, in rewrites.Sep 01, · Buy a cheap copy of Humboldt's Gift book by Saul Bellow.
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Hall and Lucia K. B. Hall (A version of this essay was published in the Humanist, May/June , pg ). It appears to be a widely accepted opinion in America that the long conflict between science and religion is at an end.
A Godly Humanism is Cardinal George's final gift to the Church he served so well. In it, he brilliantly shares his understanding of the Church, its relationship to those who make up its members and its relationship with the culture in which Catholics themselves live.
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